Pondering The Other Side Of Life

A couple evenings ago I finished reading The Other Side of Life by Andy Kutler and I immediately began writing the book review because it had raised a few questions that I wanted to mull over.

This is how Neverland Publishing describes the novel: The Other Side of Life cover“December 1941, Pearl Harbor. A peaceful Sunday morning turns into a devastating attack on American soil. Naval officer Malcolm “Mac” Kelsey is severely wounded while defending his ship. A flawed man abandoned long ago by his alcoholic wife, Kelsey has been mired in despair and hopelessness following the accidental death of Lucy, the young daughter he considers the only redemptive aspect of his life. Near the point of death, Kelsey is brought to what he believes to be an afterlife where he is offered an opportunity to shed his past memories and embark upon an alternate path in another place and time. Eager to escape his torment and begin a more tranquil existence, Kelsey accepts, only to feel quickly betrayed as he soon finds himself back in the midst of battle, this time as a Union soldier at the dawn of the Civil War.

Through Antietam, Gettysburg and four years of relentless fighting, Kelsey attempts to cast aside his painful past while trying to survive the horrors of combat. He crosses paths with compelling figures on both sides of the conflict determined to persevere and return to those they left behind. Idealistic Ethan Royston, promoted from the enlisted ranks, believes in preserving the Union but is plagued by insecurity and self-doubt. His closest friend, West Point-trained Cal Garrity, remains loyal to his home state of Virginia despite his misgivings about the virtue of the Southern cause. The war will divide these friends, just as it will divide Garrity from his adoring wife, Emily, the charismatic and headstrong daughter of a prominent Norfolk shipbuilder, forced to face the onset of war alone.

Each will endure unimaginable hardship and brutality that will forever reshape their core beliefs and values. Each will find their strength and resolve tested as they search for self-purpose, humanity, and reconciliation. Most of all, Mac Kelsey will discover the very essence of life and death, and whether the new beginning he has long coveted will bring him the inner peace he has so desperately sought.”

I enjoyed the novel but I was also puzzled; it left me with unanswered questions.

I initially decided to read the book because one of its settings is Pearl Harbour during the Japanese attack on the harbour and I’m always interested in wartime novels. So I was somewhat disappointed to find that the majority of the story is set during the American Civil War era. I know little about that period of history and it is not one that I feel drawn to read about. Nevertheless, the author describes the era and the people in vivid detail and I found myself getting caught up in the story and caring about the characters.

One of the details in the novel that puzzled me was who was the main character? Although the book opens on the deck of a battleship with Commander Kelsey, during the attack on Pearl Harbour, and he is present throughout most of the novel, the story’s focus shifts away from him once he travels back in time to the Civil War. His life becomes entwined with Ethan Roystan, Cal Garrity and his wife, Emily, and the novel then becomes the tale of their lives. Kelsey plays a minor role in their world. I found this trio of characters compelling and became absorbed in their lives but I kept wondering why Kelsey had taken a back seat.

As well as being historical fiction, the book has an element of fantasy and time travel too. This aspect of the story tries to explore the nature and purpose of our existence and the afterlife. This was one of the weaker areas of the novel. At pivotal points in the story Kelsey is pulled from the time period he is in to meet with a Spiritual Guide to discuss the path he will take next. These encounters with the Guide always raise more questions than they answer. Although I believe that it is good to make the reader think, it isn’t satisfying to leave him unable to draw logical conclusions from what he discovers while reading the story.

Although there are many unanswered questions, the story does end on a positive note: during Kelsey’s last encounter with his Guide information is revealed which suggests that in his future he will resolve one issue that is most important to him. Although there are still questions remaining, this gives the reader a sense of satisfaction.

What I most enjoyed about this book was the historical story set during the Civil War. That story could stand alone without the rest of the novel. The lack of development of the world where the Spiritual Guides reside is the weakest part of the book. The story may even have been better without the interludes in this realm. I found them an unnecessary diversion. Despite this weakness, readers who enjoy stories set during times of war and conflict will enjoy this novel. The characters and the conflicts they experienced were vivid and compelling.

About Andy Kutler: He is a writer living in Arlington, Virginia. A 03_Andy Kutlernative of Madison, Wisconsin and a graduate of Michigan State University (B.A.) and Georgetown University (M.A.). He has previously worked on the senior legislative staff of two United States Senators before serving as a senior policy officer with the U.S. Secret Service. He is working today as a consultant to the national security community.

While Andy’s writings have appeared in The Huffington Post and the Milwaukee Journal Sentinel, The Other Side of Life is his first novel. Andy’s interests include travel, military history, his Wisconsin sports teams, and most importantly, spending time with his wife and two children.

For more information and news please visit Andy Kutler’s Facebook page.

 

Posted in November 2015 | Tagged , , , , , | Leave a comment

‘Tis The Season – For Book Launches

It’s that time again – Halloween? Thanksgiving? Christmas? Not exactly – it’s anthology launch season. Not surprisingly, most writers’ groups endeavour to launch their latest writing collections in the run-up (you can interpret that as ‘sales season’) to Christmas. For the last decade, each year I’ve been involved in at least one of these books. And this year is no exception – three writers’ organisations I belong to all launched their collections in October.

Was it a bit overwhelming participating in three concurrent launch events? Yes, definitely. But there’s some great stories in the books and I’m pleased to be involved in producing each of them.

The Fermanagh Miscellany, an annual publication by Fermanagh Miscellany 2016 low resAuthors’ Association, is the one I’ve had the longest connection with. This edition is the tenth book in the series. I’ve contributed to nine of the books and co-edited six or seven of them (I’ve lost count!).

Fermanagh Miscellany 2016 showcases new writing by members of the Fermanagh Authors’ Association. Like its predecessors, it explores the diverse facets of local history. It contains articles and stories about the man who made Belleek, the pain and pleasure of emigration, a countrywoman’s encounter with Belfast, nineteenth century travellers’ impressions of Fermanagh, life within a border checkpoint, the origin of Lisnaskea’s stone cross, the midnight bells in Newtownbutler in 1932, the thatched cottage architectural divide, running a family home in the early 1900s and the Inniskillings meeting the silent weapon – poison gas on the Somme. My contribution, Doing Her Bit, is an abridged version of one of my Short Reads in The Yankee Years series, my wartime stories set in County Fermanagh. This one revolves around flying boats and military hospitals.

Writers Abroad is an online community for ex-pat writers. I’ve Kaleidoscope coverbeen a member of the group for several years and have contributed to four of their five anthologies. This year’s book, Kaleidoscope, is a dazzling collection of flash fiction, short stories and poetry, written by expats (or former expats) around the world on the theme of light, as 2015 is the International Year of Light and Light-based Technologies. The stories and poems selected for Kaleidoscope evoke many varied interpretations of light: from a force that dispels evil or illuminates to one that can be destructive, from sunlight to firelight, or from the glow of an Arctic summer night to the brilliance of a Mediterranean afternoon. Clearer In The Dark, the story I chose for the collection, is part of my wartime series, The Yankee Years. Although part of the series, this title is only available in the anthology.

Tavern Told Tales is the third anthology that Fermanagh Writers FWG TTT Cover Shothas produced since the group was formed in 2009 and I’ve had the pleasure to be involved in each book. The book is a collection of poems and stories about the truths of life, both ordinary and extraordinary, in a variety of voices. The opposite of truth is not a lie, it is merely a space where greater truths may be told. Tavern Told Tales is where the truth goes by a different name, but is true all the same. For a change of pace my contribution to this book, A Link to her Past, is a contemporary romance set in rural Northern Ireland.

Well, now that we’ve got these anthologies printed and out in the reading world, can I sit back and enjoy the coming holiday season? Ahh, no. Now it’s time for me to get back to work on the next story in The Yankee Years series which I will release before Christmas. But, while I’m busy writing, I urge readers to dip into these three anthologies. You wouldn’t want to miss them.

Posted in November 2015 | Tagged , , , , , , , , , | Leave a comment

Remembering the Home Front

poppy on white backgroundIn the early days of November each year we remember the sacrifices made during the First and Second World Wars and later conflicts. Since I’m writing a series of stories set in Northern Ireland during the Second World War, I’d like to remind readers about the part played by civilians during the war. From today until November 11th, I will honour the contributions made by those who remained at home by posting daily snippets of information about their efforts.

Beginning this morning at 11am, you’ll find these daily On The Home Front posts on my Facebook page.

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The Serpent Sword Examined

We’re stepping back in time today to the early medieval period in Britain. Matthew Harffy joins me to discuss his novel, The Serpent Sword.

Welcome, Matthew. Let’s get started, shall we?

Tell us about your novel.

MH: THE SERPENT SWORD is the first book in the Bernicia TheSerpentSwordFrontCoverChronicles. Set in Britain in the first half of the seventh century, it tells the story of a young man who is lost and alone at the start. But on his quest for vengeance for his brother’s killer he finds love, a sense of belonging and his place amongst the warriors of a Northumbrian lord. Essentially, it is a coming-of-age tale of revenge, honour, betrayal and love.

What prompted you to write about this historical event?

MH: The events are the forming of the kingdom of Northumbria, made up of the two, now mostly-forgotten realms of Bernicia and Deira. I used to live in Northumberland (what would have been part of the ancient Bernicia) and loved the area, but I knew little about the history of the area. When I saw a documentary back in 2001 about Anglo-Saxon graves being exposed near the castle of Bamburgh (Bebbanburg in the seventh century), and heard about the importance of the castle as the seat of power of the kings of Bernicia, the story just called to me and I was compelled to start writing. It took a long time to complete that first book, but I got there in the end!

How closely did you stick to the historical facts? If you used them loosely, how did you decide whether to deviate from them?

MH: I stick pretty close to the historical facts where they are known. One of the advantages of writing about the so-called Dark Ages (now usually referred to as the Early Medieval period) is that there are very few written accounts, so the history is only known in the broadest of brush strokes. This gives great scope to create interesting stories without knowingly messing with the facts. I pick out a couple of known incidents as the skeleton of each novel and then add the fictional details as the flesh on the bones.

If I do deviate from the historical record, I let the reader know in the Historical Note at the end of the book.

What research did you do for this book?

MH: I read a lot. Over a period of several years, I would go into second-hand bookshops and buy any book I could find on the Anglo-Saxon age in Britain. I also contacted reenactment and living history groups, asking them questions when I would get stuck on a particularly niggly piece of detail. There are some groups out there, such as Wulfheodenas and Regia Anglorum, who really know their stuff, and they are eager to help make sure the history is correct. I’m sure this is true for any historical period.

When I was close to the end of the writing of The Serpent Sword, I also managed to visit some of the sites that appear in the novel. I’d been to some of them like Bamburgh Castle before, but managed to get to Yeavering (Gefrin) for the first time. I didn’t have long to visit these places, but a few hours on the actual ground that my characters would have walked on was invaluable. So many little things from that short trip made it into the final novel or its sequels. I hope to go back for a few days in the future while writing more of the Bernicia Chronicles.

Do you use a mixture of historic figures and invented characters in the novel? Which is more difficult to write?

MH: The main characters are really all fictional, though they interact closely with real historical figures, such as kings, bishops and the like. It is easier to write the purely fictional characters, because nobody can tell you you’ve got it wrong!

Which do you prefer to write and why?

MH: I prefer to write the fictional characters, I think, though I’ve never really thought about it before! I like the clean slate and the ability to just make stuff up. Though I actually do that quite a lot with the historical figures too!

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

MH: I try to imagine how the people would think and how their

Matthew Harffy

Matthew Harffy

environment would affect them. What gods did they believe in? What did they wear? What chores did they need to perform each day to survive? What did they eat and drink? All of these things help to put yourself in the characters shoes. I go camping with my family every year, and staying in a tent, using only fire to keep warm, makes you realise how the natural world and the weather impacts everything you do. 1,400 years ago men and women relied on good weather to help their crops grow, bad weather would rot barley in the fields, a long winter could lead to starvation as food ran out. So, when writing the Bernicia Chronicles, I add lots of details about the weather – some have said too much! I look at the natural world in which the characters dwell as another personality.

There often seems to be more scope in historical novels for male characters rather than female characters. Do you prefer to write one sex or the other. And, if so, why?

MH: There are more male characters in key roles in The Serpent Sword, it’s true. But the fact of the matter is that seventh century Britain was a very male-dominated society. They do all the fighting, and there is quite a bit of that in the book.

Having said that, in Anglo-Saxon society women had more rights and privileges than we tend to expect from the medieval period of history. When they married they were given a gift, a morning gift, that was theirs alone and could not be touched by their husband. This was to provide them with some security should something happen to their spouse. Women could also own land and take positions of power.

So, to answer your question, there are strong women characters in the Bernicia Chronicles and I enjoy writing from their perspective. I live with my wife and two daughters and I’m still trying to understand how women think – so it is challenging and interesting to write women!

Thanks for taking the time to join me today, Matthew, and good luck with your new series.

Thanks for the interesting questions. It’s been fun answering them and they made me think.

Readers can learn more about Matthew and his books by visiting his website, Facebook page and Twitter. Copies of the book can be purchased by clicking this LINK.

Posted in October 2015, Uncategorized | Tagged , , , , | Leave a comment

A Peek Into A House Divided

There’s only two days left until the release of A House Divided by Margaret Skea. The novel, set in sixteenth century Scotland, is the sequel to Turn of the Tide, winner of the Beryl Bainbridge Best First Time Author award in 2014. I enjoyed the first book and am counting down the days until the release of the second one. In the meantime, I’ve invited the author to answer a few questions about the latest book.

Welcome, Margaret. Let’s get started, shall we?

What prompted you to write about this historical event?

  • MS: A House Divided is the sequel to Turn of the Tide, which had Layout 1as its genesis a key point in an historic feud. I wanted to continue the story of my fictional family – the Munros – and so I began by looking at the broader history of the late 1590s, in order to find events in which they could be involved.

There were two that stood out for me – a widespread Scottish witch-hunt and the siege of Amiens.  Both occurred in the same year – 1597 – which set the time frame, and both had significance.

How closely did you stick to the historical facts. If you used them loosely, how did you decide whether to deviate from them?

MS: I had a timetable of the key dates at Amiens and I stuck rigidly to that. There were fewer specific dates and locations available for the witch-hunt, but the date for the climax of the book was chosen specifically to fit in with a key change that arose from it. However, despite their significance, there is little detailed information available about either of these events, which allowed scope for my characters, both fictional and historic, to take the centre stage.  

(I include an historical note at the end of the novel to clarify the extent to which the key events within it are based on fact.)

What research did you do for this book?

MS: I began by studying the historical context of the 1590s, both in Scotland and abroad, not only looking for interesting events, but also to steep myself in the period – food, clothing, travel, money, politics etc – so that I could write as naturally as possible about it, without having to stop every ten minutes to check something.

Having decided on my focus, I then put quite a considerable time and effort into attempting to research in more detail the events I had chosen to include. But there came a point when I had to accept that if there was more detailed information out there I wasn’t going to find it, and so I contented myself with research into the generalities of witch-hunts and sieges of this period.

Do you use a mix of historic and invented characters in the novel? Which are more difficult to write? And do you prefer one over the other?

MS: The balance for me is very much in favour of historic Turn of the tide Covercharacters, only my main family and a few incidental people are fictional. The difficulty or otherwise of writing about historic characters depends on the amount of information available about them. Often, as in my case, the job of a novelist is to put flesh on the bare bones of dates and times, and I approach this by seeking to remain as true to the period and to any known facts about a character as I possibly can. Do I prefer one over the other? I don’t think I do, I have fun with all of my characters in different ways. Perhaps if I was writing about someone very well-known I would feel more restricted.

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

MS: For me there are two keys to this. The first is authenticity – it is impossible to claim accuracy when depicting an earlier era – 1) I wasn’t there and 2) sources, even primary ones, were written from a particular person’s point of view and therefore, by definition, flawed.  However I do believe in striving for authenticity, in so far as it’s possible. Secondly, of course the quality of writing – the best research in the world won’t bring an era to life if the writing doesn’t match up. And an essential ingredient in both is the careful use of detail, as compared to an overload of information-dumping.

There often seems to be more scope in historical novels for male rather than female characters. Do you pefer to write one sex or the other? If so, why?

MS: Discounting historical romances, a hugely popular genre in its

Margaret Skea

Margaret Skea

own right, that certainly used to be the case. However there has been a resurgence of interest in mainstream historical novels that focus on historic female characters. This is probably not good news for me as I definitely find it easier to write about men that women.  (Not sure what that says about me… except that I was always a tomboy and so grew up feeling more comfortable around boys than girls.)

Thanks for answering my questions, Margaret, and good luck with your latest novel. Margaret welcomes visitors to her website and her Facebook page. Her books are available online on Amazon and other online shops. They are also available to order from any bricks and mortar bookshop in the UK.

Posted in October 2015 | Tagged , , , , , | 1 Comment

Does A Picture Say It All?

What’s that saying about a picture and a thousand words? Yes, that one. If you read my previous post you’ll know I’ve been playing around with images lately. Since my first foray into ‘memeing’ I’ve ventured into the world of Canva.com. I’m trying to create images that will give give visitors to my Facebook page a flavour of some of my Short Reads before they open the books.

Below are several I’ve created for Keeping Her Pledge. What do you think of them? Here’s the first:

Can she keep her sweetheart 2

And another one:

Keeping ad 3

And the last one::

Impossible 1

 

 

Posted in September 2015 | Tagged , , , , , , , | Leave a comment

M-m-m-meme-ing

I recently discovered memes and I’ve been having fun learning about them and creating them – so much so that I even wrote about it on Writers Abroad’s blog this morning. CLICK HERE if you want to read the post.

want-to-know-o2r9tm

Posted in September 2015, Uncategorized | Tagged , , , , | Leave a comment

A Whirlwind Of Words

Were you wondering where I’ve been this summer? You may have noticed that I’ve been very quiet since June. Although I haven’t posted much on Ascroft, eh? the past couple months have been a whirlwind of writing. I’m working on a new Short Read for The ecstatic-writer-theYankee Years series and I’m also editing a full length novel for the series. That could easily have kept me occupied for ages but that just wasn’t enough – well, it was, but that didn’t stop me. I’ve also been involved in editing and proofreading writing collections for two local writers’ groups. So, while everyone else has been lying in the sun all summer – oops, I forgot, not in Britain this year…Well, they must have found something to do. And while they were occupied so was I. Getting all this writing, editing, and proofreading done. So have a bit of patience – I’ll be back here again soon.

Now to get myself back in the mood for my writing:

RAF lads 1

 

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Sorrow Lake, My Kind Of Crime Novel

A couple years ago I reviewed Michael McCann’s crime novel, The Rainy Day Killer. When reading crime fiction, I gravitate toward cosy mysteries so it was not what I was used to. It is much darker. So, when I began reading his most recent novel, Sorrow Lake, I steeled myself, expecting it to be similar. But, it isn’t. I found myself immersed in an interesting police procedural that doesn’t contain too much gore.

Sorrow Lake coverHere’s the publisher’s summary of the book: “Detective Inspector Ellie March of the Ontario Provincial Police is called in to investigate when a man from the village of Sparrow Lake is found shot to death, execution style, in a farmer’s field in rural eastern Ontario.

Leading an inexperienced team of detectives, she probes beneath the wintry surface of the township to discover the victim had a dark secret–one that may endanger others in the community as well.

For young and enthusiastic Detective Constable Kevin Walker, the chance to work with Ellie March is an honour, until the situation turns ugly and unexpected betrayal threatens to destroy his promising career.”

Sorrow Lake is the first book in McCann’s new March and Walker detective series and, as I’ve mentioned, it has a different tone from his Donaghue and Stainer crime series. I have to admit that it fits better with my comfort zone – a gripping plot that never loses its tension and picks up pace as it neared the climax but not too much graphic violence. There’s nothing in it that would make me squirm and screw my eyes shut but it still has nail biting moments.

Not surprisingly for a crime novel, the story centres on the hunt for a killer and the law enforcement officers involved in the case, particularly Detective Inspector Ellie Walker, an experienced detective, and Detective Constable Kevin Walker, who is new to homicide investigations. I thought there was a bit too much explanation of some of the investigation procedures and techniques as the story opened but, once those details had been explained, the story moved along at a good pace and I got involved in trying to put together the clues to find the killer. I also enjoyed the subplot revolving around the jealousies and power struggles within the police department, particularly when one officer was jockeying to be chosen to lead the investigation.

Author Michael McCann with his dog, Cody

Author Michael McCann with his dog, Cody

As I’ve said, the story is about the hunt for a killer and the people involved in it. I found the interaction and sometimes tension between the characters as interesting and absorbing as the actual case. I liked the main characters, Ellie March and Kevin Walker, and I think this was partly because the author gives readers glimpses of their private lives in between the scenes involving the investigation. This adds depth to the story as readers develop a better understanding of characters’ actions and decisions. In tightly written scenes, the author also produces well drawn secondary characters. Especially memorable characters are the underhanded Detective Constable Dart, Ellie March’s musician neighbour, Ballantyne Ridge, and the elderly, nosy woman who lives opposite the victim’s widow.

The story is set in a small town and the surrounding countryside in Northern Ontario, Canada during winter. The landscape and the weather are both important to the story and the author vividly paints a scene that the reader can step into. He also has a good grasp of the internal structure of the regional police force and the details he includes about it add authenticity to the story. It isn’t a location that is frequently used as the setting for novels and it is more intriguing as a result.

I found Sorrow Lake an entertaining and engrossing read. I liked the characters and was grabbed by the plot. I will happily read other books in this series as I think the characters are worth re-visiting. So I have no hesitation wholeheartedly recommending this book.

 

Posted in August 2015 | Tagged , , , , , , | 1 Comment

Bitter Bronx: Charyn’s World

During the past four or five years, I have read several historical novels and a crime novel by Jerome Charyn. Bitter Bronx is my first foray into his short stories.

bitter bronx 1This is how the publisher describes the short story collection: “Brooklyn is dead. Long live the Bronx! In Bitter Bronx, Jerome Charyn returns to his roots and leads the literary renaissance of an oft-overlooked borough in this surprising new collection.
In Bitter Bronx, one of our most gifted and original novelists depicts a world before and after modern urban renewal destroyed the gritty sanctity of a land made famous by Ruth, Gehrig, and Joltin’ Joe.

Bitter Bronx is suffused with the texture and nostalgia of a lost time and place, combining a keen eye for detail with Jerome Charyn’s lived experience. These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue’s restaurant row, amid a “land of deprivation…where fathers trundled home…with a monumental sadness on their shoulders.”

In “Lorelei,” a lonely hearts grifter returns home and finds his childhood sweetheart still living in the same apartment house on the Concourse; in “Archy and Mehitabel” a high school romance blossoms around a newspaper comic strip; in “Major Leaguer” a former New York Yankee confronts both a gang of drug dealers and the wreckage that Robert Moses wrought in his old neighborhood; and in three interconnected stories—”Silk & Silk,” “Little Sister,” and “Marla”—Marla Silk, a successful Manhattan attorney, discovers her father’s past in the Bronx and a mysterious younger sister who was hidden from her, kept in a fancy rest home near the Botanical Garden. In these stories and others, the past and present tumble together in Charyn’s singular and distinctly “New York prose, street-smart, sly, and full of lurches” (John Leonard, New York Times).

Throughout it all looms the “master builder” Robert Moses, a man who believed he could “save” the Bronx by building a highway through it, dynamiting whole neighborhoods in the process. Bitter Bronx stands as both a fictional eulogy for the people and places paved over by Moses’ expressway and an affirmation of Charyn’s “brilliant imagination” (Elizabeth Taylor, Chicago Tribune).”

I’ve never found Charyn’s writing straightforward or easy to read. When I first read one of his novels several years ago, I found that I needed to acquire a taste for his writing style. It took some effort but it was worth persevering. His storytelling style in this collection is best described as picaresque: the plot is often episodic rather than unfolding in a linear manner and many of the characters are likeable rogues in a corrupt society.

One of the most distinctive traits of Charyn’s writing is how he uses language. When I interviewed him on this blog regarding his novel Johnny One-eye, he said that he grew up in the Bronx having no language. He had no idea newspapers such as the New York Times existed. His friendship with several librarians in a South Bronx library introduced him to the world of words and literature. From these early encounters, he developed a love of words, which fostered his own unique writing style. Often his prose seems to ramble along, tumbling together his characters’ thoughts as well as the unfolding action. His descriptions of people and places are vivid, aided by unusual metaphors and ornate language.

Characters and settings seem to interest Charyn more than the plot of the story. His characters are always unusual, often beguiling but with dark currents never too far beneath the surface. They are diverse, each with a unique, captivating voice. Like other aspects of his work, his characters are rarely straightforward. They are complex, motivated by a plethora of values and desires that often war with each other. They are also duplicitous with each other and the reader, leaving the reader wondering what to believe in the narrative.

Place is important in Charyn’s writing and nowhere more so than in this collection of stories. Set in the Bronx, these stories are conjured from the writer’s memories of his boyhood home and, no doubt, this helps to bring the place to life. The stories are mainly set in 1940s gangster run New York City, a world of violence and opulence with a moral code all its own. They evoke this place and time vividly and fondly. Despite the brutality of the criminal underworld, it is a place of lavish excess and vitality. The place and the people are larger than life.

In my interview with Charyn regarding Johnny One-eye, he said, “Fiction often has a greater truth than most historical texts…Novelists see history as story. We’re not burdened by ‘inaccuracies’.” I think this is how the reader should approach Charyn’s short story collection: suspend disbelief and enjoy the language that spills onto the page and the world the author creates. Charyn’s writing style may not appeal to every reader but it is worth giving it a try to discover the delights of his stories.

Readers can learn more about Jerome Charyn and Bitter Bronx by visiting the author’s website and the book’s Facebook page.

Jerome  Chloe I by JorgAbout Jerome Charyn: Charyn’s stories have appeared in The Atlantic, The Paris Review, The American Scholar, Epoch, Narrative, Ellery Queen, and other magazines.  His most recent novel is I Am Abraham. He lived for many years in Paris and currently resides in Manhattan.

Posted in June 2015 | Tagged , , , , , | 1 Comment