Second World War Club For Wartime Fiction

Club 8

Today’s the first anniversary of a new Facebook group, Second World War Club – well, I’m exaggerating a bit. The group is a week old but it’s off to a good start. As you probably know, I’m writing a series of Short Reads and novels set in Northern Ireland during the Second World War. For years I’ve had an interest in that era and I enjoy reading about all aspects of life during the war, in places around the world, not just the corner I write about. I know lots of people love wartime fiction too, so a friend of mine, Rachel Zaouche, who writes as Ellie Keaton, and I decided to set up a Facebook group where we can get together with other wartime fiction fans.

We’ve teamed up to form the Second World War Club. It’s a Facebook club for readers who enjoy wartime fiction. We set out to focus on World War II but have quickly expanded our horizons to include World War I too. The aim is to share books we loved, talk about real life historical events and meet others who share our enthusiasm for the subject. We’ll also invite authors to discuss their books with us and we hope to have some giveaways too.

If you are interested in wartime fiction, in its many forms, why not hop over to the club and have a look. If it appeals to you, please join us here.

Posted in February 2016 | Tagged , , , , , , , | Leave a comment

The Threads of War Kickstarter Campaign

My guest today is Jeremy Strozer. He’s here to ask for your assistance with Threads of the War Volume II. I’ll let Jeremy tell you about the project and his request.

With that brief introduction, I’ll turn it over to you, Jeremy.

Jeremy: Threads of The War; a series of personal truth-inspired flash-fiction, needs your help!

Until February 6 you can sponsor Threads of The War, Volume II on Kickstarter, getting special rewards for helping bring this fun e-book to the world.

The Threads of The War series weaves fictional personal Threadsnarratives of real events to reveal history for what it is: a tapestry of the fibers of individual lives through time. Building from the premise World War I, World War II, and the many other wars of the 20th Century were actually one prolonged human tragedy, the Threads series crosses the world to find individual stories exposing the facts, fictions and fallacies of armed violence. In Volume 1 the reader is whisked from the seats of a German cinema in 1915 and high over Pearl Harbor on December 7th, 1941 to under the water of the port of Alexandria, Egypt and on a rail line in East Prussia in 1945. Volume II builds off of its predecessor by taking us from the celebratory streets of Paris in the summer of 1914, under the coast of North Carolina in 1918, across the ocean to the evacuated beaches of northern France in 1940, and finally within the minds of both the liberated and the confined at camps in 1945.

Each story in the Threads series was designed to tug at the heart, incite anger, or make a reader laugh at the ridiculousness of war. Between the two volumes, thirty-six stories are made available to read, covering the world, different sides in the conflict, and as many perspectives as there are titles. Following each story, the reader is provided a specific and revealing quick summary of the true event narrated, offering both entertainment and education within the time it takes to read a blog-post. It’s easy to complete each story in one sitting, allowing the reader to jump in and out of the books whenever and wherever convenient.

This series started from my personal experience helping a war ravaged country remove unexploded bombs from its countryside. The remnants of war continued to kill the people despite forty years passing since the guns fell silent. War is a personal series of events for those involved far beyond the signing of any treaty ending the sanctioned violence. Each war lingers with all who experienced it, and all who they touch. The 20th Century was full of wars, violence, hate, anger, and suffering. Yet, the same time was also full of humor, humanity, and a rich history that needs to be shared. Threads of The War shares that history from a personal perspective, which is how it was experienced the first time.

Here are some quotes from readers:

“I thoroughly enjoyed it. I very much liked how you put a human touch on each of the incidents that inspired each story.”

— Donald

“You are getting to be a budding WEB Griffin. Putting a bit of a face on real events in war.”

— Pat

“Very poetic! Enjoyed it, thanks!!”

— Ricky

You can help support the continuing publication of the Threads series by sponsoring the Kickstarter campaign for Threads II here. Millions more stories are available, thousands already identified, and a Volume III already written. If you’re interested in more stories, check out my blog.

Thanks for being a guest on my blog, Jeremy. Good luck with Threads of the War and your Kickstarter campaign. Readers can also find Jeremy on Facebook and Twitter (@jeremystrozer).

Posted in February 2016 | Tagged , , , , , , | Leave a comment

The Yanks In Europe

Today is a significant date in the history of America’s involvement First GI NIin the Second World War. Almost seventy-five years ago today the first ships carrying American troops docked in Belfast; these troops were the first US troops to arrive in Europe. The first enlisted soldier to officially step onto European soil was Private First Class Millburn Henke of the First Battalion, 133rd Infantry Regiment, 34th Infantry Division. Although other units had already disembarked in Belfast that morning before he came ashore at Dufferin Quay, he was chosen to represent the US servicemen and became the face of the ordinary soldier at the official welcoming ceremony. He was interviewed by reporters and posed for photographs, and the resulting newspaper articles were published across America, making him nationally famous.

Last year I began writing The Yankee Years, a series of Short Reads and novels set in Second World War Northern Ireland. The impact the arrival of the troops, especially the Americans, had on the people of the province inspired the name I chose for the series. Since I’m writing about the era, I was curious about Private Henke and did a little digging. I learned that he came from the small town, Hutchinson, Minnesota where his family ran a cafe and he was twenty-three years old when he enlisted in October, 1941, two months before the attack on Pearl Harbour. Barely three months after he enlisted, in January 1942, he sailed from Brooklyn, New York with his battalion to join the war in Europe.

When they arrived in Northern Ireland, Henke’s unit was sent to

Private First Class Milburn H. Henke

Camp Bellarena, near Coleraine and he spent nine months in Northern Ireland and England before the 34th Division embarked for North Africa as part of Operation Torch. He spent the next few months fighting in Tunisia and received the Silver Star for his bravery rescuing a wounded officer under fire. While the Division was preparing to land in Italy he was involved in an accident: a weapons carrier rolled over and his back was broken. This ended his active service. He then spent several months in military hospitals in North Africa before being shipped back to America where he spent the remainder of the war.

Once he arrived home he married his girlfriend, Iola Christensen, who had been waiting for him in Hutchinson. After the war, he returned to work in his family’s business and he and his wife lived in Hutchinson until his death in 1998, a few months short of his eightieth birthday.

Throughout his life Henke felt that those in his unit who had died serving in the war deserved more recognition than they received and he downplayed his fame. But he was proud to have served his country and every year he took part in the Veteran’s Day ceremony in Hutchinson.

Posted in January 2016, Uncategorized | Tagged , , , , , | 3 Comments

Discover Decorum

I’d like to welcome Kaaren Christopherson, the author of Decorum, to Ascroft, eh? this morning. Kaaren has written an intriguing tale set in the late nineteenth century in what is described as New York’s Gilded Age but I’ll let my guest tell us more about it.

Welcome Kaaren. Let’s get started, shall we?

Tell us about your novel.

02_DecorumKC: Decorum is about a tycoon (Connor), an heiress (Francesca), a mistress (Blanche), and a gigolo (Edmund) who struggle to find happiness, power, and wealth amid deception, betrayal, bigamy, and murder in Gilded Age New York. Each character has his or her own challenges to overcome: though he has made his money, Connor yearns to break into the big league in New York business; Francesca is trying to move on with her life after her family has been killed; Blanche is trying to shake off her shady past and find security; Edmund, too, is looking for security—and control.

What prompted you to write about this historical period?

KC: When Connor O’Casey, Blanche Alvarado, and Francesca Lund appeared in my imagination, they were wearing Gilded Age fashions, so I never struggled to figure out what time period to portray. It was fascinating to watch these characters function at a time when the country was on the cusp of becoming modern. Horse-drawn carriages would soon be sharing the road with the first motor cars. Gas street lamps were giving way to electric lights. Only a relatively few households had telephones, so most communication that couldn’t take place face to face had to be done through letters and telegrams. Lots of plot twists can happen in the time it takes for a letter to arrive or for a horse to trot across town or to the next village.

How closely did you stick to the historical facts? If you used them loosely, how did you decide whether to deviate from them?

KC: Although Decorum doesn’t recreate specific historical incidents, recreating the look, the feel, the sounds, and smells of the Gilded Age in New York and the Canadian Rockies was essential if the reader is to be “transported” to another time. Though I invented some institutions, such as Venables Gallery and the Blue Iris Tea Room, they were based on actual places. When I do decide to deviate from actual places and invent them for the story, it’s usually because I want to insert some characteristic that helps support the story. So the gallery, for example, is a conglomeration of galleries and antiquities shops I found in my research with some unique features added so that the characters could move throughout the gallery in a way that was natural to the progression of the story. I did, however, make reference to actual events or people, such as Nellie Bly and her trip around the world.

What research did you do for this book?

KC: I began with several survey books about the period—mostly social history about how people lived (what they wore and ate, how they were educated, what work they performed), what technology was like (as it was known at the time), what discoveries had just been made, what political or economic forces affected ordinary people, how people traveled. I didn’t try to know everything. I tried to have a good grasp of what life was like and the limitations and opportunities the period had to offer so that when the characters were set in motion they began to act with credibility. Then I started writing and let the action and the characters dictate the next phase of research, which is largely the details—what to call items of clothing, what kind of carriage might be used for a particular event, how a dinner table is set. Researching the 1890s was very interesting because of the variety of material available, not just history books, but biographies and memoirs, photographs, engravings, paintings, novels from the period, all sorts of resources that helped me get closer to the characters and their surroundings. I also took advantage of historic home shows and what the museums and historic homes in New York and Washington, DC, have to offer for steeping myself in the period. One of my favorite resources was my great-grandmother’s etiquette book called Decorum, published in 1881. It not only gave me a wealth of information on the expected behavior of the period, but also gave me the novel’s title and organizing theme.

Do you use a mixture of historic figures and invented characters in Decorum. Which is more difficult to write? Which to you prefer to write and why?

KC: All the characters in Decorum come out of my imagination. This choice was deliberate; since I was new to novel-writing I wanted to concentrate on making fictional characters as real and three-dimensional as I could. I was keenly aware that introducing real people, especially well-known historical figures who already appear larger than life, might be difficult if all characters whether fictional or real were to be equally well-developed and balanced. So the first time around, I stayed with characters I invented. In another story that might be driven more by actual events, I might include actual historical figures; it would require lots of research to try to find the actual personality behind the history.

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

KC: Many of the situations and their visual elements and descriptions in Decorum were inspired by studying engravings from fashion and news magazines of the 1880s and 1890s, photos of events and interiors, and American and European Impressionists. Trips to flea markets and antique shops yielded old cabinet photos that reminded me of the characters, as well as some of the items they may have used. Research on the internet yielded such things as descriptions of the original Metropolitan Opera House, the Tombs, and the Café Savarin, complete with menus. All these resources enhanced what I saw in my imagination and helped me describe it to the reader.

There often seems to be more scope in historical novels for male characters rather than female characters. Do you prefer to write one sex or the other. And, if so, why?

KC: I don’t prefer writing about characters of one sex or the other, but I do find it fascinating to watch different female characters from different backgrounds, with different personalities, experiences, motivations, and resources at their disposal tackle problems in the 1890s. So, for example, Francesca’s wealth and respectability gave her entre and acceptance into parts of society that Blanche, with her shady past, would have had a very difficult time entering. On the other hand, Francesca’s wealth didn’t shield her from a male-dominated world where her opinions could be easily disregarded and her options were few. Yet, like Blanche, if Francesca happened to make bad choices, society could be merciless. Readers can check out the wide array of female characters and their backgrounds through The O’Casey Chronicle the 1890s tabloid on my website: http://www.kaarenchristopherson.com/the-ocasey-chronicle

Thanks for answering my questions, Kaaren, and good luck with your novel.

For more information visit Kaaren Christopherson’s website. You can also find her on Facebook, Twitter, and Goodreads.

About Kaaren Christopherson: She is the author of Decorum—a 03_Kaaren Christophersonnovel about Gilded Age New York—that began taking form in 1999 during a course on writing historical fiction. From that moment, Connor O’Casey (who had been rattling around in her brain for months) finally appeared one night and said, “All right, woman. Here I am. What are you going to do about my story?” So she began to put his words on paper, and he hasn’t kept quiet since. Soon Francesca, Blanche, Tracey, Vinnie, and the rest of the characters began arguing, gossiping, loving, and forming themselves into Kaaren’s first novel.

Kaaren has had a professional career writing and editing for over 30 years and is a senior editor for an international development nonprofit organization in Washington, DC.

She has written fiction since her school days, story poems, children’s books, historical fiction, and time travel, and continues to be active in writers’ groups and writing workshops. In addition to her career as a writer, Kaaren was the owner of a decorative painting business. She loves to travel and prowl through historical sites, galleries, and museums. She is active in several churches in DC and in her local Northern Virginia community, where she shares her home with feline brothers, Archie and Sammy.

A Michigan native, Kaaren received her BA in history and art and her MA in educational administration from Central Michigan University in Mt. Pleasant, Michigan.

Posted in January 2016 | Tagged , , , , , | Leave a comment

Wishing You A Warm, Comforting Christmas

Christmas fireplaceOn Sunday night I left my comfy chair beside our fireplace to attend a concert in Belfast. Relaxing into my seat in the concert hall, I savoured I’m Dreaming of a White Christmas sung by a classical trio. I’m sure you’ve heard the song somewhere; it is considered the best selling single of all time. And it’s a song that always stirs memories for me.

It’s been twenty-five years since I spent Christmas in Canada, my homeland, but the song instantly takes me back to cold, crisp winter evenings on a quiet residential street blanketed by a cover of undisturbed snow. As I stepped out of our house after a fresh snowfall, I felt the cold nipping at my fingers and curling in under the collar of my jacket as flakes of snow tickled my cheeks. All around me lights twinkled on neighbours’ houses, bouncing off snow that had settled on the ground to glint like diamonds. The song also takes me back to sleigh rides through the countryside on a flatbed wagon piled high with hay and pulled by a team of four draught horses, their bells jingling as the wagon wheels crunched over hard packed snow. Everything always seemed magical after it snowed.

chair n tree

Rocking chair in its new home

In our house a small tree stood in the corner of the living room and tiny striped stockings hung on the rocking chair beside it; the room was festooned with holly and tinsel. At the farm after our sleigh ride a blazing bonfire warmed the farmyard; we huddled as close to it as we dared until the heat stung our legs and sparks darting from the crackling logs bit into our faces and hands.

No matter where I was, tucked up in our cosy house or at the farm, laughter, camaraderie and love enveloped me. Family and friends were there.

Since I moved to Britain I’ve rarely seen snow on Christmas Day. When it happens there’s excitement but also trepidation as folk deal with the surprise. On Christmas night we often go for a stroll to counter the excesses of holiday meals. As we walk through the Fermanagh countryside, the air is cool and damp and the lane is bare; green fields surround me. In the dark, stars twinkle brightly above us, the darkness a canvas for the display in the sky. The hedges along the lane are grey shadows against the blackness. Deer whistle in the forest behind our farm. I hear the steady thump of our boots on the tarmac.

rocking chairWhen we return home I’m greeted by a house festooned with decorations and other items that are intricately part of Christmas for me. Some of them I brought with me from my home in Toronto, including a set of colourful bells on a bright green braided rope that a Dutch aunt brought to Canada with her, fragile tree baubles that belonged to my mother and even the rocking chair that sat in our Toronto living room and was crafted at my grandfather’s farm in Western Canada long before I was born.

And I’m still surrounded by family and friends. The family are my husband’s family and the friends are ones I’ve made since I moved across the Atlantic – not childhood friends but not so very new after a quarter of a century.

I’m Dreaming of a White Christmas was first sung by Bing Crosby on Christmas Day in 1941. Although it wasn’t an immediate hit, as Christmas approached the next year it topped the ‘Your Hit Parade’ chart in America. It was especially popular with service men and women and the Armed Forces Network was flooded with requests to play it. Why? Probably because it echoed their longing for home mixed with their memories of where they came from. At a time when the world was at war people wanted something familiar and comforting to cling to.

My curiosity was piqued when I stumbled across this connection between the song and the Second World War. Since I began writing The Yankee Years series, set in World War II County Fermanagh, Northern Ireland this year, I’m always keen to discover interesting snippets of information about the era. They fascinate me and these facts add authenticity and sparkle to my stories. So far references to the song haven’t found their way into any of my stories – but you never know. They might yet.

It seems that no matter which era we live in, we gravitate toward what we find familiar and comforting. I enjoy being surrounded by decorations that have been passed down through my family, eating the same special treats and spending time with the people who are important to me each year. And I’m sure I’m not the only person who feels this way.

Family, friends and readers, where ever you are, I’d like to take this time to wish you a holiday season filled with all that warms, comforts and uplifts you. Wishing you love, laughter, family and friends at Christmas and always. Merry Christmas!

Christmas fire

Posted in December 2015 | Tagged , , , , , | 2 Comments

Discussing Tales Of Byzantium

Last month I had the pleasure of featuring Eileen Stephenson’s short story collection, Tales of Byzantium, in a couple of my National Short Story week posts. Today I’ve invited her back to talk about her collection in greater detail.

Welcome back, Eileen. Let’s get started, shall we?

Tell us about your book.

ES: My book is a collection of three longish short stories set in medieval Byzantium. The first two take place in the 10th century; the third one in the 12th century. The main characters in each of them are historic figures and their stories are my imaginings of how particular historic events came to pass.

What prompted you to write about this historical event/era?

ES: I’d always had it in the back of my mind that I’d like to be a Tales of Byzantium eBook Cover Large-2writer, but the eras I knew and loved best – English and ancient Roman – seemed to be well-covered by writers better than I ever expected to be. One day, I picked up John Julius Norwich’s “A Short History of Byzantium” and found myself fascinated by this civilization. When I went looking for novels about them, however, I found precious few. Most of them seemed to be focused on either Emperor Justinian and his wife, Theodora – admittedly an interesting topic – or were from the point of view of the Crusaders, who had little love for the Byzantines. It was then I realized that I had found what I would write about.

How closely did you stick to the historical facts? If you used them loosely, how did you decide whether to deviate from them?

ES: My preference has always been for historical fiction to stick close to the historical record, and that’s what I’ve tried to do. Much of my research is done from contemporary Byzantine chronicles, some of them only recently translated by scholars. The Byzantines of this period were highly literate with many writers of histories, so I had some good primary source material to work with.

What research did you do for this book?

ES: For the past ten years, I have been immersing myself in every aspect of Byzantine history. For this book, I had to dig into specific dates when events occurred and try to make sense of how they meshed with what the history books say. For example, I found an age listed for one character in the first story, Christopher, as being in his mid-20’s at the time of the story. However, he also had a daughter who gave birth in the story, so he was more likely to have been at least in his early 30’s, if not older. One thing I’ve found is that when you write about such distant times, you have to really look at dates and ages to make sure they make sense.

Do you use a mixture of historic figures and invented characters in the novel? Which is more difficult to write? Which do you prefer and why?

ES: I focus on historic figures, using invented characters when the story needs them. For myself, I prefer reading and writing about actual people since I am always curious about why and how certain events happened.

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

ES: This is a huge challenge – especially when writing about a time and place that most people will find difficult to imagine. There aren’t too many (if any) movies or TV shows depicting the Byzantines, the way there are for ancient Romans, or the Tudors, or World War I or II. It took several years of reading about the Byzantines myself before I could begin to get an image of them in my head. When writing a novel or short story, this becomes a delicate balancing act between adding enough detail to help readers picture the events, and not too much so as to avoid an info dump on them. I’ve tried to keep both sides in mind, and most of my reviewers have not complained about either too little background or info dumping.

There often seems to be more scope in historical novels for male characters rather than female characters. Do you prefer to write about one sex or the other? And if so, why?

ES: The sex of my characters is not as important to me as what they accomplish with their lives. Being a woman, I probably have more insight into a woman’s point of view, but my short story that had virtually all male characters has been complimented. Another advantage I had for my research was that the middle Byzantine period had more than a few strong women who made it into the history books, so I didn’t have to guess or make stuff up for them. The novel I am working on is from the point of view of Anna Dalassena, who has been given credit for maneuvering her son, Alexios Comnenus, onto the throne. After I have finished her story, I hope to write about Alexios and his son John who were both strong, enlightened rulers. For me, it is really more about positive accomplishments than about gender.

Thank you for answering my questions, Eileen, and enlightening me about a period that I’m not well acquainted with. Good luck with your short story collection.

Readers can learn more about Eileen by visiting her website and blog, and her Facebook and Goodreads pages. Tales of Byzantium is available on Amazon.

03_Eileen StephensonAbout Eileen Stephenson: She was born in Fort Worth, Texas but spent most of her life in the Washington, DC area. She has degrees from both Georgetown University and George Washington University (neither involving the Byzantines) and is married with three daughters. Her interest in Byzantine history all started one fateful day when every other book in the library looked boring except for John Julius Norwich’s A Short History of Byzantium.

Posted in December 2015 | Tagged , , , , | Leave a comment

Discussing Near The Wild

Today I’d like to welcome Maureen Willett to Ascroft, eh? She is here to chat with me about her new novel, Near The Wild.

Welcome Maureen. Let’s get started, shall we?

What prompted you to write about this historical event or era?

02_Near the Wild_CoverMW: NEAR THE WILD is taken from my family history, stories I’ve heard my entire life about how my ancestors came to America from Ireland to homestead in Kansas in the 1800s. The story is fiction, but it’s very much based on fact, or at least the stories I’ve heard from my mother’s and father’s generation of our family.

How closely did you stick to the historical facts? If you used them loosely, how did you decide whether to deviate from them?

MW: Even though the various adventures of Maeve and her siblings come from true stories, the characters are fictionalized. My ancestors came from Ireland and started a homestead in Kansas. My great, great grandfather founded a town around his farm and built a stone cathedral out in the middle of the West to attract other Catholic immigrants to the area.  The town and the cathedral exist today, although the population is not what it was during the period of homesteaders. Many of Maeve’s adventures actually happened to my ancestors, but not one single person.  The MacKeighry’s sod house was based on the house my grandfather was born in, which I had the fortune to see when I was a child, before our relatives sold the land it stood on.

I deviated from the truth to incorporate a romantic triangle that propelled the main character to determine which path to choose in life. I also embellished a bit by adding a twist of magical faery dust. These are themes that interest me, so I can’t help but write them into my stories. But the adventures happened. Just not in the order I depict, or to any one person.

What research did you do for this book?

MW: I got the idea for my novel when I spent a summer researching my family tree on the internet and through family historical documents that had been given to me over the years. I’d grown up hearing about my mother’s large Irish family and how her grandparents had immigrated and then founded the town of Flush, Kansas. To my surprise, I learned more about my father’s side during this research and found his ancestors equally as interesting as my mother’s, so I incorporated both sets of stories into NEAR THE WILD.

Do you use a mixture of historic figures and invented characters in the novel. Which is more difficult to write? Which to you prefer to write and why?

MW: I mostly take actual people and characterize them in my novel to the point that they become fictional characters. For example, through my research I discovered that my father had an ancestor who immigrated to America in the 1790s.  He was an Austrian prince who was banished for marrying a commoner, so he and his wife started their own dynasty in New York.  My character of Nikki Fuerst is loosely based on my ancestor, but Nikki is single and living in Kansas, but born of European royalty.

My characters always take on a life of their own.  I might intend for them to be a certain way when I start writing a novel, but they soon reveal themselves to me in ways I’d never anticipated.

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

MW: My novel takes place in an area I’ve visited and heard of since I was a girl, so it’s vivid in my mind. I hope I created it completely for my readers. The things you assume are fiction in NEAR THE WILD, might actually be true.  And the details that seem to be fact probably come from my imagination. A good mixture of the two makes for a compelling, fun read.

There often seems to be more scope in historical novels for male characters rather than female characters. Do you prefer to write one sex or the other. And, if so, why?

MW: My main characters are always women, mostly because I can get into their heads, and their hearts, more easily than a male character. Women are much more complex and emotional characters. With this novel, I wanted to create a strong young woman who has many adventures in the Old West with lots of men, good and bad. I enjoyed writing the men who vie for her attention, but it’s really Maeve who moves the story forward.

Thanks for answering my questions, Maureen, and good luck with your novel.

Readers can learn more about Maureen by visiting her Goodreads, Facebook and Amazon Author pages and can connect with her on Twitter. Near The Wild is available on Amazon.

03_Maureen Willett_AuthorAbout Maureen Willett: She is a writer of fiction that pushes the boundaries of established genres. Her stories mostly come from her own family legends that have been passed down through generations, but then she tops them off with a twist of faery dust and angel wings. She is a former journalist, public relations professional, and media marketing specialist. Maureen lives in Hawaii with her family and walks the white-sand beaches of Oahu each day to get her inspiration for writing.

Posted in December 2015 | Tagged , , , , | Leave a comment

The Shadow Ally Special Offer

I hope you are enjoying the holiday season. I love the trappings of Christmas fireplaceChristmas, especially the twinkling lights on the tree and sitting in front of a roaring fire with the cats wrapped around me so this is my time of the year. If you follow me on Facebook you’ll see that throughout December I’m having fun with holiday images I’m creating in Canva. If you like them, please share them with your friends.

December is also a popular time for new book releases. I’d hate to break with established tradition, so I’m releasing The Shadow Ally, the first Short Read in The Yankee Years series today. The series is set in County Fermanagh, Northern Ireland during the Second World War and follows the lives of service men and women who are posted to the county and local residents as they meet and mingle.

Let me tell you a little about The Shadow Ally:

America is not yet at war, but the country is preparing for it. And it is essential that this remain secret.

June 1941: Ruth Corey is puzzled by the attractive, enigmatic Ally-Final-KindleItalian-American civilian contractor, Frank Long, who is staying at her family’s hotel in Irvinestown, County Fermanagh, Northern Ireland. Serious and reserved, he is nothing like the friendly, outgoing British and Canadian servicemen she knows. Nor, she discovers, does he even use his real surname.

War is a time of alliances and secrets. The biggest secret in the county is the construction of an American flying boat base outside Irvinestown. Since their country is not at war, the American contractors must keep the building project hidden. America’s neutrality will be destroyed if Germany discovers its existence.

Ambitious local reporter, and Ruth’s almost fiancé, Harry Coalter is consumed with curiosity about the new American airbase. But why? When Ruth finds a letter Harry has written about the flying boat base she fears he is pursuing a path that will land him in serious trouble. She enlists Frank’s help to stop Harry from making a terrible mistake.

Can Ruth safeguard a military secret that will have a profound impact on the course of the war and protect her beau?

As a special gift to readers, The Shadow Ally will be free today and tomorrow Thursday and Friday). I would be delighted if you would download a copy – and even more thrilled if you would leave a review on Amazon or Goodreads after you read it.

You can download it on Amazon US and Amazon UK.

Hope you have lots of wonderful holiday reading!

Christmas 7

Posted in December 2015 | Tagged , , , , , , , , | Leave a comment

New Release Special Offer

To celebrate the release of The Shadow Ally, the first Short Read in The Yankee Years series, the story will be available FREE on Thursday, 10th December and Friday, 11th December.

To download a copy visit:

Amazon UK

or

Amazon US

or any other Amazon site.

Hope you enjoy stepping back in time to Second World War County Fermanagh, Northern Ireland.

After the Allied troops arrived, life would never be the same again.

Christmas 12

 

Posted in December 2015 | Tagged , , , , , , , , , | Leave a comment

An Interview with Andres Vidal

Today we’re visiting Barcelona at the beginning of the last century to explore Andrés Vidal’s new novel, The Dream of the City.

Welcome, Andrés. I’m glad you stopped by so I can chat with you about your writing.

To get started, please tell us about your novel.

AV: Try to imagine yourself in the Barcelona of 1914. Try to 02_The Dream of the Cityimagine walking around a building site of four magnificent towers that rise to the sky and belong to a temple just in the beginning of its construction. And try to imagine the life of one of the stonecutters, a well-off woman with singular personality, who will encounter an ambitious man related to her jeweler family. Many things could happen, no?

What prompted you to write about this historical event or era?

AV: I am in love with the beginning of the 20th century. Many things changed in Europe then. The growth of Barcelona city, Antonio Gaudí’s art, the end of Modernism (also called Tiffany or Art Nouveau in the USA), the revolution of craft production in many jobs. When I collected some of these elements and mixed them with the story of two people coming from pretty different origins, but meeting in the same place at the same time, the tale was born and I enjoyed diving in the development of the substories and details.

How closely did you stick to the historical facts? If you used them loosely, how did you decide whether to deviate from them?

AV: I always make an effort to be faithful to the historical facts, to keep the surroundings real. Then, with the maximum respect for the stated circumstances, I start wondering and imagining about the dialogues that could have happened, and I link it with my “script”. This is one of the very best moments in historical fiction writing!

What research did you do for this book?
AV:
Plenty of historical research, mainly about Gaudí and his architecture, the Sagrada Familia idea and construction (especially in its beginning; remember it is still under construction, till, at least, 2026), and the Barcelona transformation with its pharaonic Eixample project being carried out.

I did, as well, specific research of real stories of personal progress in familiar craft enterprises that had changed owner due to “special” circumstances. I swear each one of them deserves a novel!

Do you use a mixture of historic figures and invented characters in the novel. Which is more difficult to write? Which to you prefer to write and why?

AV: For the historic figures, maximum respect. I have to say that this tenses my nerves to the limit, but results in very grateful readers.

Concerning the invented characters… it is a pleasure, the domain of imagination and creativity! I do not know any writer that is not tremendously entertained by them.

In an historical novel you must vividly re-create a place and people in a bygone era. How did you bring the place and people you are writing about to life?

AV: When the place and people were well documented (very well documented, I mean), it became very simple: you were already there! Remarkable how you can “move” inside, and this results in one of the biggest joys of this métier.

There often seems to be more scope in historical novels for male characters rather than female characters. Do you prefer to write one sex or the other. And, if so, why?

AV: Interesting question. One of the things I have to say is that certainly History had usually mistreated women, not just obstructing their progress, but also omitting lots of references in documents that today would allow fair restorations. The other thing I have to say is that I am working on a new novel idea and… women are in the centre of it. 😉

Thanks for answering my questions, Andrés, and good luck with your novel. Readers can follow Andres Vidal on Facebook. The Dream of the City is available on Amazon and other online retailers.

03_Andres VidalAbout the author: Andrés Vidal is the pseudonym of Marius Molla. He is the author of two other novels that were successes in Spain: Inheriting the Earth (2010) and The Dream (2012). By training the author is an industrial engineer in Barcelona.

Posted in December 2015 | Tagged , , , , , , | Leave a comment